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Taking it pretty much as a given that (3) such works in fact move us at times, Radford's conclusion, refreshing in its humility, is that our capacity for emotional response to fiction is as irrational as it is familiar: "our being moved in certain ways by works of art, though very 'natural' to us and in that way only too intelligible, involves us in inconsistency and so incoherence" (p. The need for existence beliefs is supposedly revealed by the following sort of case.

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His father was absent during his life, and his mother said he was "on vacation".Like there's someone else in my life, deep inside of me, even when the entire world seems to be against me, I still have him.I'm not sure if I believe in soulmates, but if such a thing existed, I think this character would be my soulmate.A number of conflicting solutions to this paradox have been proposed by philosophers of art.While some argue that our apparent emotional responses to fiction are only "make-believe" or pretend, others claim that existence beliefs aren't necessary for having emotional responses (at least to fiction) in the first place.

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    it is a small milestone in human history to have produced a machine that can do this." - Andrew Brown in The Darwin Wars. When I was an undergraduate in 1989 I hooked up an Artificial Intelligence "chatbot" called "MGonz" to the Internet, with interesting results.